Kamis, 03 Mei 2012

Teaching reading


THE STAGES OF READING ACQUISITION AND THE IMPLICATION ON THE TEACHING READING FOR YOUNG LEARNER
Sandi Ferdiansyah
Islamic University of Malang

Abstract
The four language skills have been obviously interrelated. Each of them, however, in the nature of acquisition, refers to different notion of language skills. The concept is well known distinguished as the productive and receptive skills. The productive skill to some extent refers to the ability of a language learner to produce speech and writing while receptive skill to some extent refers to the ability to understand speech and writing of other people. The prompt of building the foundation of those four skills is a necessity as to develop language competence. To begin such endeavor, practitioners, especially teachers, should understand the stages of the learners’ language acquisition which relate to the language teaching context. The appropriate approach in language teaching will help the learners to acquire the language better so that it will influence much on the ability of the learners to apply it as well. In accordance, understanding such stages of language acquisition, in reading skill particularly, will also very much impact on the teacher’s decision in selecting the suitable approach in teaching and learning practice.
Key words: Reading skill, stage of reading acquisition, the approach of teaching reading


Introduction
Reading is a part of language elements that is significant to support the process of learner’s language acquisition. Engaging students with the language literacy will help them to build supportive literate environment so that it can improve their language competence better. Moreover, introducing a reading habit as a way to encourage the learners to love reading is helpful as it shapes the learner skill in reading. Through such a skill, the learners will be able to build automaticity in reading (Duffy, 2009:13). In addition, the ability of the students to read will sharpen their skill in understanding meaning of a particular text. To support this, ministry of religion (2005:188) and Nation (2009:9) states that the focus of language learning must be based on meaning which becomes an essential part of the reading skill to be able to recognize written forms and relate them with the meaning. As meaning takes huge attention in language, therefore, the teaching of reading should be focused on fluency as well as the accuracy.
In relation to the focus of teaching reading, fluency has logically become the most required skill to be developed. Reading fluency to some extent refers to the ability of the readers to provide the fluent reading process that build reading comprehension. This skill enhances the readers to recognize the complexity of reading (Grabe, 2009:7). Furthermore, it is assumed that the ability to comprehend a particular text, a reader should have background knowledge on the context, language feature, and vocabulary used. Those three notions are closely related so that it is necessary to determine the ways how to connect them in teaching reading. Meanwhile, the reading accuracy to some extent refers to the ability to read correctly. The teaching is based on the spelling or phonics e.g. reading aloud.
According to Wyse & Jones (2001:75) the method in reading accuracy was based on the idea of encouraging children to sound out letters. It is important to develop phonological awareness. In relation to the types and strategies of skill employed in reading, Duffy (2009:13) categories them into three, they are: 1) Vocabulary and comprehension strategies; 2) Skills and strategies for identifying (or decoding) words; and 3) Skills and strategies for how to read fluently.

Reading skill
The importance on becoming a skillful reader has concerned the teachers, for developing reading skill is one of the important ways for the students to improve their language competence. It is reasonable, for it enables the language learners to access the meaning of texts and further convey it in various meaningful communications. It is supported by Troike (2006:155) who states that reading is a very important device in which the learners can engage for the improvement of L2 academic competence as well as for interpersonal functions to get along in any literate society. Furthermore, Richard & Schmidt (2002:444) states that reading skill to some extent refers to the ability to 1) discern main ideas, 2) understand sequence, 3) notice specific details, 4) make inferences, 5) make comparisons, and 6) make predictions. Thus, the orientation of the teaching reading should emphasize on giving more attention to students to understand and enjoy reading and also helping them to master those skills.
Furthermore, Elley (1992); Kirsch et al (2002); NAAL (2005) and NAEP (2007) as quoted by Grabe (2009:4) state that skillful readers are those who can read at a much higher level of comprehension, learning new conceptual information of texts, synthesizing new information of multiple texts, critiquing information of texts, and using their comprehension skills to reinterpret texts. This promotes an idea that to become a skilled reader, a reader should start over all by being able of comprehending a text. Then after being successful comprehending text, a reader begins to learn the concept, to synthesize more than one text, and to reinterpret them. Here, the teacher plays a significant role to explain each skill employed in reading before becoming the skilled one by encouraging and guiding the learner to learn better in reading. The last but not least important thing is that the nature of reading activity. A reader attempts to identify the precise topic and each change of topic which then activates the ideas a reader has stored in mind that helps him to make a sense what he has just read (Davies & Pearse, 2000:90).
In short, it is obvious that being a skillful reader is a necessity as it brings the language learner to get further improvement in acquiring language. It is also important to keep reading as meaning focused oriented because reading skill as one of language elements influences much on developing the learners’ language competence. This is in line with the ministry of religion (2005:185) that by reading, it will automatically activate the other language skill such as speaking generated from the result of reflection toward the text.


Stages of reading acquisition
The ability to read of the second language (L2) learner varies from one to another. One can read a particular text faster and comprehend it more easily than another. It is strongly believed that the distinction of such ability is influenced by the development of learner’s cognitive aspect which processes the background knowledge of the learner as a potential tool for the reading improvement. For the young learner who has not developed such bottom-up process perfectly will find difficulties in reading for any purposes. Therefore, understanding such cognitive development process for teachers is important to determine what is appropriate approach used in teaching reading for a particular level. Building such awareness will also help teachers to understand the difficulties the learner may find in teaching and learning practice that is beneficial to evaluate what step should be taken to carry out the situation.    
We can generally assume that sufficient prior linguistic knowledge – except perhaps vocabulary – is automatically (and unconsciously) available to L1 and to highly skilled L2 speakers for interpretation of meaning, but the language knowledge of L2 learners is often insufficient for comprehending written or spoken input. At early stages of learning, bottom-up processing is limited to visual or auditory recognition of the limited set of words and word combinations that have been acquired thus far, and of simple grammatical sequences. When L2 input significantly exceeds these limits, understanding is likely to be fragmentary, Troike (2006:154).

In hence, the question in what primary age should reading is taught to young learner has promoted a debatable issue. However, this study is interesting to take Wyse & Jones ideas who classify the young learner stage in reading development at the age 4 to 10 years old. The following is research

Table 1 Table of research done by Payton and Minns (Wyse & Jones, 2001)
Researcher
Objective
Subject
Age
Finding
Payton (1984)
The development of her daughter awareness of print and literacy
Cecilia
3 – 4
There is strong evidence to suggest that in the early stages, print in the environment is an important factor in supporting the child’s discovery of this concept. Initially children find it difficult to understand print words and logos without their
familiar context, i.e. decontextualized
Minns (1997)
Emergent literacy learning
Gurdeep
4 – 5
At 4 years 4 months Gurdeep had developed a strong interest in particular favorite stories, for example Goldilocks and the Three Bears. Although the ability to identify favorite books is something that happens at all ages, in the early stages it requires the child to be familiar with the purpose of books, to know and remember a selection, and to identify at some level why they prefer some books to others.
10
By the age of 10 Gurdeep had developed his interest in narrative. He liked some story books, particularly funny ones, but his main interest was in texts with a strong visual content such as comics, graphic novels and books that were influenced by computer technology. He was not particularly interested in information books, but did enjoy looking at dictionaries. One of the things he liked to do was learn new words in Punjabi and then translate them into English.
Paul
5 – 6
At age 5 years and 1 month Paul recognized his first words and was consolidating his understanding of the concept of ‘word’.
At 5 years and 3 months there was evidence that Paul was using both semantic and graphophonic cues to work out texts.
Paul was beginning to read silently at 5 years and 11 months and this coincided with a change in his attitude to reading. Reading was becoming much less hard work and he was enjoying it much more.


Paul
6
When Paul was 6 years and six months he was gaining confidence and attempting harder texts and a greater range of texts. His purposes for reading were changing and he was moving away from learning to read to reading to learn: his purposes included easy texts, hard texts, speed reading, sounds of poetry and rereading his favorites.
By 6 years and 11 months most of Paul’s’ reading was silent. The school had moved him up the reading scheme but he wasn’t particularly motivated by the literacy experiences at school. He no longer asked his parents to read aloud and he had advanced to short novels.
He could read many difficult words in context but sometimes found it hard to define them out of context.
Paul
7
At 7 years and 8 months he was able to segment words into prefixes, roots and suffixes and to think about the meanings of the different segments.
Paul
8
At 8 years and 3 months Paul invented names for new chemicals as a result of playing with a chemistry set. His interest in definitions resulted in much exploration of dictionaries.
Paul
9 – 10
By 9 years he had developed awareness of puns and multiple meanings. Paul was now interested in acquiring information on a wide range of subjects. He enjoyed using encyclopaedias and he developed skimming and scanning skills. At 9 years and 8 months he read his first adult novel: Star Wars (part 4). This sparked his imagination resulting in the design of Star Wars quizzes and the taped recordings of excerpts from the book.


Having looked at three children in detail it is possible to compare their development with other sources such as the Centre for Language in Primary Education (CLPE) reading scales (CLPE, 1991) and Wyse and Jones’ experience teaching young readers. This enables us to be aware of some of the main signs of development which we have organized into four stages.
1 Beginning reading
a.       Understands the differences between text and pictures
b.      Can read words/logos which are part of environmental print
c.       Understands that text carries meaning and conveys messages
d.      Understands that text is an aid to memory
e.       Understands that the meaning of text does not change
f.       Enjoys playing at reading including re-enacting known stories
g.      Uses ‘book language’ during retelling of stories
h.      Understands that there are many languages
i.        Can tell people about favorite texts.
2 Learning to decode
a.       Knowledge of favorite texts supports decoding of reading scheme texts
b.      Needs help with concepts of words and spaces
c.       Uses finger pointing to show level of 1–1 correspondence
d.      Begins to be able to read words out of context
e.       Temporarily a strong emphasis on graphophonics
f.       Independent reading starts for first time
g.      Teaching English, language and literacy 40
h.      Beginning to realise the limits of the One Letter Makes One Sound Method (OLMOSM).




3 Silent reading
a.       Silent reading starts for first time
b.      Wider reading of unknown texts
c.       Greater fluency and appropriate expression when reading aloud
d.      No need for finger pointing
e.       Choosing to read a greater range of texts
f.       Temporarily a return to a larger number of substitutions
g.      Pronunciation and word-stress problems are main area of difficulty.
4 Wide range reading
a.       Silent reading is preferred
b.      Enjoys short novels
c.       Likes to re-read favorite books sometimes
d.      Finds difficulties with unfamiliar proper nouns
e.       Enjoys a wider range of reading including information texts
f.       Shows interest in word definitions out of context (like dictionaries)
g.      Shows ability to segment words
h.      Enjoys word play
i.        Uses reading to learn
j.        Occasionally may enjoy adult level texts
k.      Interested in foreign languages and translations.
Taken from Wyse & Jones (2001:40-41)
Thus, the nature of reading acquisition through stages proposed above impacts much on developing the teaching of reading strategy. As the improvement of cognitive aspect is different throughout the ages, the teacher is expected to give more attention in helping students to read.



The approach of teaching reading
            Reading skill is classified as receptive skill. It does not mean that the language learner acquire such skill passively and without any efforts but must participate actively (Troike, 2006:153). Furthermore, Urquhart & Weir, (1998:22) as quoted by Grabe (2009:14) defines reading as the process of receiving and interpreting information encoded in language form via the medium of print  therefore, the role of teacher in teaching reading plays significantly in helping students to improve their reading skill. Yet a young reader has developed autonomy, explanation probably becomes an effective way to teach reading. According to Duffy (2009:45) suggests the following strategies of explanation:
1.      The explanation must be based (as often as possible) in real reading tasks or activities.
2.      Inside real reading tasks we provide information students can use to fill experiential gaps or to correct misconceptions or confusions about how to use skills and strategies to think one’s way through text.
3.      We scaffold student use of the information in subsequent responses to help them construct their own understandings based on the information we provided because students must ultimately “own” their skills and strategies if they are to be good readers.
4.      We have students put the newly learned skill or strategy to work when doing the above real reading
Moreover, as a part of language element, reading skill will also possible to be taught integratively with the other skills. If this happens, Brown (2007) proposes 8 (eight) principles for teaching reading skill, they are:
1.      In an integrated course, don’t overlook a specific focus on reading skill
2.      Use technique that are interestingly motivating
3.      Balance authenticity and readability in choosing texts
4.      Encourage the development of reading strategies
5.      Include bottom-up and top-down techniques
6.      Follow the SQ3R sequence
7.      Plan on pre-reading, during reading, and after reading phases
8.      Build an assessment aspect in your techniques

Discussion
The stage of reading acquisition clearly impacts on the approach of teaching reading for young learners. Nation (2009:9) states that the teaching of spelling should be introduced first, for reading to get meaning is not the main focus of learning. It involves the orthography and sound of the word. The students are expected to be able to recognize written forms and to connect them with their spoken forms and their meanings. It also involves recognizing known words and also deciphering unfamiliar words. Building the foundation of spelling introduction is the primary step before introducing the students to the text.
Meanwhile, Brown (1985:1-3) as quoted by Wyse & Jones (2001:54) the teaching of English, language and literacy involves extensive use of texts. It means the complexity and length of the text should be based on the students’ level. The young learners logically should be given text which is familiar in term of the story and vocabulary used. Furthermore, the focus is no longer focusing on how long the text is. The appropriate length of the text should be considered by the teacher so that the learner can obtain the message or meaning of the text.
Moreover, Grabe (1991) in Troike (2006:155) reviews research on fluent academic reading in terms of six component abilities and types of knowledge that are involved in the activity.
1.      Automatic recognition ability. Automatic (as opposed to conscious) word perception and identification is necessary for fluency. There is also some evidence that lower-level automaticity is important (e.g. at feature and letter levels), as well as automatic recognition of syntactic structures.
2.      Vocabulary and structural knowledge. Fluent reading requires a large recognition vocabulary (some estimates range up to 100,000 words) and a sound knowledge of grammatical structure.
3.      Formal discourse structure knowledge. Good readers know how a text is organized, including (culture-specific) logical patterns of organization for such contrasts as cause–effect and problem–solution relations.
4.      Content/world background knowledge. Good readers have both more prior cultural knowledge about a topic and more text-related information than those who are less proficient.
5.      Synthesis and evaluation processes/strategies. Fluent readers evaluate information in texts and compare it with other sources of knowledge; they go beyond merely trying to comprehend what they read.
6.      Metacognitive knowledge and comprehension monitoring. Fluent readers have [unconscious] knowledge about knowledge of language and about using appropriate strategies for understanding texts and processing information. Monitoring involves both recognizing problems that occur in the process of interpreting information in a text, and awareness of non-comprehension.

Based on the above concepts, it can be concluded that the ability of the teachers to understand the reading skill acquisition stage will assist them to analysis the needs of teaching strategy used based on the learners’ appropriate level. 


References


Duffy, G. G. 2009. Explaining Reading: A Resource for Teaching Concepts, Skills, and Strategies (second edition). New York: The Guilford Press

Departemen Agama RI. 2005. Standar Kompetensi. Jakarta: Direktorat Jendral Kelembagaan Agama Islam.

Grabe, W. 2009. Reading in a Second Language: Moving from Theory to Practice. New York: Cambridge University Press

Nation, I. S. P. 2009. Teaching ESL/EFL Reading and Writing. New York: Taylor & Francis Group.

Richards, J. C. and Schmidt, R. 2002. Longman Dictionary of Language Teaching and Applied Linguistics. London: Pearson Education Limited

Troike, M. S. 2006. Introducing Second Language Acquisition. Cambridge: Cambridge University Press.

Wyse, D. and Jones, R. 2001. Teaching English, Language and Literacy. London: RoutledgeFalmer


Senin, 03 Oktober 2011

Study in Literature

AESTHETICAL VALUE OF AS YOU LIKE IT 
Written by William Shakespeare

by: Sandi Ferdiansyah


Chapter I
INTRODUCTION

Literature is a branch of the study of a language. It, specifically, discusses the topics of literature and their theories. The teaching of literature has promoted a perspective of enabling the students not only to comprehend but also to value the literary works. This idea is in line with Chambers and Gregory (2006:2) who state that “literature, as a subset of story, acts, as do all other forms of story, to perform such all-important functions as telling human beings what is important in life, telling us what’s worthy of our admiration or our contempt….” It means that literature study in language learning plays an important role to evokes the human’s awareness of literary works and value them. 
There are some literary works in language learning, they are poetry, drama, novel, short story etc. Short story and novel are same based on the genre which is narrative. However, short story is less complicated and shorter. Short story is one of literary works that is written either as imaginative or factual-based story writing. Somehow, Eagleton (2005:2) states that literature is definable not according to whether it is fictional or 'imaginative', but because it uses language in peculiar ways; transforming and intensifying ordinary language, deviating systematically from everyday speech. As it is not written in an ordinary language, comprehending a short story is sometimes felt effortful. It is relatively difficult for the readers to interpret what actually the story is about. Therefore, Chambers and Gregory (2006:11) encourage the readers to develop their own interpretive opinions.   
 One of the famous English literatures in the seventeenth century is William Shakespeare. His writings were mainly in the forms of comedy. But, it is not the same as comedy today which makes the audience laugh. The comedy in Shakespeare’s day might be romantic, bear moral value, and the most important thing was that it was not a tragedy. So that, the analysis of Shakespeare’s short story entitled As You Like It in this writing mostly uses the aesthetical value.


Chapter II
SUMMARY

As You Like It
Written by William Shakespeare
Many years ago there lived a nobleman in England named Sir Rowland De Boys. He had three sons named Oliver, James, and Orlando. When Sir Rowland died, he left his eldest son Oliver is charge of his state, and looked after his youngest brother Orlando. But, Oliver did not treat his youngest brother as his father had wished. He sent James to school but kept Orlando at home. This made Orlando disappointed and angry. He held Oliver firmly till Oliver was difficult to take a breath. Oliver asked him to be released and gave what Orlando demanded with one condition that Orlando and Adam, the servant of the house, must leave the house.
After Orlando and Adam’s leaving, Oliver was introduced to a wrestler named Charles. He was employed by a duke named Frederick. The duke Frederick recently ruled after he had banished his older brother, the old duke. Charles told Oliver about a wrestling match. He also told him that Orlando had challenged him in the match. Charles came to warn Oliver about Orlando’s intention. Somehow, Oliver lied that Orlando insisted on joining the wrestle even Oliver had warned his brother not to join the wrestling match.
The banished duke had a daughter named Rosalind. Rosalind lived with her uncle the duke Frederick. The Duke Frederick had a daughter named Celia. Rosalind and Celia grew together as till it seemed that they could not be separated. One day, while Rosalind and Celia were walking around the palace, they discovered that Charles would wrestle Orlando. Both of them, especially Rosalind, took a pity to Orlando. She tried to warn Orlando not to fight Charles as Charles was strong enough for him to wrestle. But, Orlando denied Rosalind’s advice and insisted on fighting. Some time later, the wrestling match began. To the crowd surprise, Orlando, who was also strong, could throw Charles to the ground. At last he won the match as the judge said that Charles could not continue fighting. However, the duke Frederick hated Orlando when he knew that Orlando was the son of his enemy. So the duke Frederick asked him to leave the palace.

Rosalind who admired Orlando was sad to know that he was banished. Then, she gave him her necklace. It made the duke Frederick angry that he found Rosalind began to like Orlando. The duke Frederick, then, decided to banish her too. But, Celia protested her father by warning him that if he had banished Rosalind it meant that he would have banished her daughter too. So both of the girls escaped from the palace accompanied by Touchstone, the duke’s fool. Rosalind disguised herself as a man and named herself as Ganymede and Celia wore an ugly dress and named herself as Aliena. The three of them headed to the Arden forest that night. In the morning, the duke Frederick was furious to discover that his daughter had fled with his niece. He assumed that they went to Oliver’s house where Orlando lived. So he and his men went to Oliver’s house to search his daughter.
Oliver, who knew his youngest brother Orlando had won the wrestling match, made him jealous. So he planned to kill Orlando by the time Orlando had slept. But, Adam, one of the servant told Orlando about his oldest brother’s plan. Orlando thanked Adam for telling him that. Then, both of them left the house and headed to forest of Arden.
Rosalind and Celia (both in disguise) were very tired after a long journey and had a rest under a tree. There, they saw two shepherds were talking about love. Rosalind found out that one of the shepherd, the younger one, was in love with a girl named Phebe. Rosalind then asked for a cottage in where the three of them could pass the time. then, the older shepherd showed their master’s cottage which was left by their master to the town selling some sheep. Meanwhile, Orlando and Adam were also exhausted. Adam, even, gave up continuing their journey. Then, Orlando tried to find some food to eat until he met the Duke Frederick’s older brother and some of his men were going to eat. Orlando stopped them from eating and asked them to wait until he brought Adam back with him. The duke was pity to know it then he asked Orlando to bring his friend. Orlando was also well-welcomed after the Duke had known that Orlando was the son of Sir Rowland.
In another place, the Duke Frederick got very angry as he could not find Orlando in Oliver’s house. Then he ordered Oliver to search Orlando otherwise he would take all of Oliver’s property and belongings. Oliver began to search Orlando in fear immediately.
Orlando who lived in the forest with the real duke began to start his new peaceful life. However, he could not stop thinking of Rosalind. So he wrote many poems for her and hung them in the trees. But, he did not realize that he was actually close to her. Rosalind and Celia were curious about who had written the poems. Then Celia thought that it might be Orlando the man whom Rosalind ever gave the chain to.
One day, Rosalind and Celia (both still in disguise) met Orlando. Rosalind told Orlando that if he would to call her Rosalind then she would be pleasure to take Orlando to Rosalind’s cottage and he would be able to meet the real Rosalind there. Orlando agreed then he called Ganymede Rosalind. Rosaline (in disguise) asked him to promise that he would visit the Rosalind’s cottage in the next morning. However, Orlando failed to come which made Rosalind very upset. Some time later, they met Corin the older shepherd. Corin told them that the younger shepherd named Silvius was truly in love with Phebe but Phebe liked to scorn Silvius lots. This made Rosalind angry with Phebe. Rosalind said that Silvius actually deserved her. Somehow, it made Phebe began to like Rosalind who was in disguise as a man.
Soon after Rosalind and Celia came back to their cottage, Orlando came. Rosalind (in disguise) told how upset she was because of his being late. Orlando was sorry and promised not to be late anymore. But he had to leave both of them as he had a promise to have dinner with the duke.
The next morning, a man, who confessed himself as the Orlando’s oldest brother, came to Rosalind’s cottage telling that Orlando was injured after helping him. He showed the bloody bandage used to wrap Orlando’s wound. It made Rosalind faint. So, he and Celia took a good care of her. This made Oliver and Celia fall in love. Some time later, Orlando who has been healthy came to Rosalind and introduced his oldest brother to her. Oliver had changed his life and returned all of Orlando’s property. Rosalind was very happy to see Orlando back. Then she managed a time to gather all of them including Silvius and Phebe in the Duke’s Forest. There, Orlando married to Rosalind, Oliver to Celia, and Silvius to Phebe. After the old Duke had passed away, Orlando became the duke as the Duke Frederick became a religious man.



Chapter III
ANALYSIS

Most of literary works are written beautifully. This, according to Eagleton (2005:2) because of the texture, rhythm and resonance of your words are in excess of their abstract-able meaning - or, as the linguists might more technically put it, there is a disproportion the signifiers and the signified. Then, it is assumed that the literary work employs the aesthetical value. The word aesthetic (adj), according to Hornby (2005:19) concerned with beauty and the appreciation of beauty. And value is moral or professional standards of behavior, principles (Hornby, 2005:1319). Furthermore, Wikipedia.com states that aesthetics (also spelled aesthetics or esthetics) is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty. Therefore, the analysis of aesthetical value of the short story entitled As You Like It in this writing refers to the beauty of the sentences, phrases, or words used by the writer in writing the story in the sense of how each goes within the context or situation.
3.1 The aesthetical value of the story As You Like It
            First of all, (at p.37) after being called as “old dog” by Oliver, Adam, the servant of the Sir Rowland said, hurt deeply, “is old dog my reward? I have lost my teeth in your service. My old master sir Rowland would not have spoken like that.” The words old dog used are not actually a reward, Hornby (2005:1008) reward is something given in return of doing something good. Adam said it as a hint to Oliver for he even had lost his teeth that might be caused by Oliver during his service.
            Next, (at p.39) before Orlando fought Charles in a wrestle match he was advised by the girl named Rosalind not to fight. However, he said, “…if I am killed, I am willing to die and shall do my friends no wrong, because I have none. Nobody will sorrow at my death.” What Shakespeare intended to tell the reader in his story was that all about an honor. Orlando would keep fighting even his opponent might be stronger than him as he had accepted the challenge and there was no excuse for him to abandon it.
            Further, (at p.43) when Orlando escaped from the Oliver’s house, Adam asked to follow him. He said, “I have five hundred pounds which I saved while working for your father. Take that, and let me be your servant. Though I look old, I am still strong, I will follow you until my death with truth and loyalty.” This expresses the strong willing of Adam to serve Orlando loyally and truthfully.
            P.46 Orlando met some strangers in the forest of Arden when he was looking for some food after Adam had suffered from exhaust. He calmed himself down after one of the strangers said something wisely to him. He said, “…but whoever you are that live under the shade of these branches, if you have looked on better days, and been where bells called you to church, and sat at any good man’s feast, and wiped a tear from your eyelids, and known what it is to pity and be pitied, take no notice of my show of force. Listen, instead, to the request of a gentleman.” Orlando said such words to indicate his apology for being rude to the band of the strangers. What he probably wanted to say …if you have looked on better days… was that he had been living in sadness and sorrow thus he wondered if the man could share of his happiness. …been where bells called you to church… was might be the man was a religious one who could lead him as a religious one too, …and sat at any good man’s feast… if the man he was talking to was a generous man, he would be happy to be together with the man as he would be taken to some feast with the man, …wiped a tear from your eyelids… the word tear is close to a sadness wiped a tear can mean end the sadness. The man had lived in happiness so that Orlando really wanted to end his sorrow and live happily.
            Jacques (P.46), one of the strangers, said, “all the worlds is a stage and all the men and women merely players. They have their exits and entrances, and one man in his time plays many parts through his seven ages. At first the infant in the nurse’s arms…. The last scene of all, that ends his strange eventful history, is a second childhood, without teeth, without eyes, without taste, and without anything.” These words are very beautiful and of course value aesthetics. Shakespeare, through the characters of his story, probably tried to attract reader’s attention about the essence of life. Human had nothing in the beginning of his life, he needs the other to grow up, …the infant in the nurse’s arms… That likely reflect in the last of his life that what he has will disappear, …and without anything. 
            P.49 the next interesting scene in the story happens when Orlando met Rosalind. Their talk about love is very attractive. Rosalind pretended to ask the time to Orlando. Then, Orlando said, “there’s no clock in the forest.”
“then, there’s no true lover in the forest, Said Rosalind, because lovers sighing every minute and groaning every hour show the passing of time as well as clock.”
This was continued by Rosalind, she said, “love is just a madness, she replied, I cured a man of it once in this way. He was to pretend that I was his loved one, and pay me compliments every day. I would keep changing. I would be full of tears, then full of smiles, I would like him, and then hate him. I would weep for him, then spit at him. In this way I cured him of his love, and I would cure you, if you just call me Rosalind,…” Rosalind was in disguise so that Orlando could not recognize her. Rosalind did this to know how much Orlando loved her. When Rosalind said that there’s no true lover in the forest because lovers sighing every minute and groaning every hour show the passing of time as well as clock what she meant actually was that she wanted to tell Orlando how sad the lover had been if he or she could not have met the true lover. Next, what Rosalind meant by love is a madness was that love sometimes could be very confusing. When the woman was given some compliments by her lover, she would be very happy. But once she would be very sad when her lover failed to cheer her up. Therefore, the girl would keep changing from being happy to being sad, smile to tear, just to make her lover keep loving her and she loved him more. That way would cure and keep their love.
            P.50 another interesting talk happened between Phebe and Silvius. Phebe who did not like Silvius said, “You tell me there is murder in my eye. Now I frown on you with all my heart, and if my eyes can wound, then let them kill you now. Don’t lie and say my eyes are murderers! Show me the wound my eyes has made in you. My eyes do not hurt you, and I am sure there is no force in eyes that can do hurt.” The words that are written in the story not actually based on the lexical meaning. Therefore, it cannot be discovered easily what the writer meant. Just like the word murder, Hornby (2005:765) defines murder as the illegal deliberate killing of a human being. So that, it is, simply, impossible that eyes can hurt and murder. This part of talking was actually preceded by a story in which Phebe always scorned Silvius for she did not like him. That made Silvius’ love likely have been murdered.
            Next, P.52 Rosalind was so upset to know Orlando was late that she said, “Yes, a snail, because, though he comes slowly, he carries his house on his head-more than you can offer a woman, I think. But now beg me to love you. Now I am in a good mood, and likely enough to say I will.” It is interesting when Rosalind hinted Orlando like a snail. It does not mean that she meant what she talked about. However, it was just to tempt him and thus he would not be late anymore.




Chapter IV
CONCLUSION

The story written by Shakespeare entitled As You Like It belongs to comedy. However, it is not only about joke but also tend to talk about love in different side. This story values aesthetic as it appreciates the nature of beauty. It is reflected by some citations written in the story. The followings are some expressions which value aesthetic that are taken from the story:   
Page
Sentences or phrases
Description
37
Is old dog my reward?
This implies the beauty of the servant’s bravery after being hurt against the master’s bad behavior.
39
If I’m killed I am willing to die… nobody will sorrow at my death
This implies the beauty of Orlando’s willing to keep fighting to defend his honor
43
I will follow you until the death with truth and royalty
This implies the beauty of a loyalty
40
If you’ve looked at better days….wiped a tear from your eyelids
This implies the beauty of Orlando’s confession to commit his fault
46
All the world’s a stage… without anything
This implies the beauty of Jacques’ illustration about human’s life
49
There’s no true lover…as the passing time as well as clocked
This implies the beauty of Rosalind’s expression to catch the Orlando’s attention of love
50
You tell me there’s murder in my eyes… that can do hurt
This implies the beauty of Phebe’s words in denying the love of Silvius
52
Yes, a snail… enough to say I will
This implies the beauty of Rosalind’s hint to Orlando of being late

From the above table, therefore, it is clear that the story of As You Like It values aesthetic.




Reference

Chambers, E. and Gregory, M. 2006. Teaching and Learning English Literature. London: Sage Publications Ltd.

Eagleton, T. 2005. Literary Theory: An Introduction. Oxford: Blackwell Publishing.

Hornby, A.,S. 2005. Oxford Advanced Learner’s Dictionary. Oxford: Oxford University Press

Shakespeare, W. 2003. (Ed). Four Shakespeare Comedies: As You Like It. Jakarta: PT Gramedia Pustaka Utama.

www.Wikipedia.com/ aesthetic (retrieved on 15 September 2011)